Betwixt and Between: The Balancing Act of the Prose Poem

from $275.00

Dates: October 7-November 3
Format: Online Workshop (asynchronous, more info) with optional weekly Zoom meet-up

Prose poems—those brash rule breakers—have been around since the 1800s. Aloysius Bertrand introduced the prose poem into French literature in 1842, influencing Charles Baudelaire, Arthur Rimbaud, and other French poets. Over the past 182 years, the prose poem has steadily gained acceptance and popularity. What constitutes a prose poem? What are the potential risks and rewards of this hybrid form? What tricks can you use to make your prose poems dazzle?

In this four-week generative workshop, we will read examples of prose poems by old and new practitioners of the form, including Russell Edson, Francis Ponge, Gertrude Stein, Joy Harjo, Harryette Mullen, Jericho Brown, and Anne Carson. Following models provided in each lesson, we’ll use a series of prompts to write and revise our own prose poems.

Payment Options

Early Bird: $275 (through September 16)
Regular: $295 (while seats last)
Pay It Forward: $325 (while seats last)

Note: The Pay-It-Forward price is an opportunity to take this class and support your fellow poets while you're at it. The extra monies support scholarships as well as future free and low-cost classes.

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Dates: October 7-November 3
Format: Online Workshop (asynchronous, more info) with optional weekly Zoom meet-up

Prose poems—those brash rule breakers—have been around since the 1800s. Aloysius Bertrand introduced the prose poem into French literature in 1842, influencing Charles Baudelaire, Arthur Rimbaud, and other French poets. Over the past 182 years, the prose poem has steadily gained acceptance and popularity. What constitutes a prose poem? What are the potential risks and rewards of this hybrid form? What tricks can you use to make your prose poems dazzle?

In this four-week generative workshop, we will read examples of prose poems by old and new practitioners of the form, including Russell Edson, Francis Ponge, Gertrude Stein, Joy Harjo, Harryette Mullen, Jericho Brown, and Anne Carson. Following models provided in each lesson, we’ll use a series of prompts to write and revise our own prose poems.

Payment Options

Early Bird: $275 (through September 16)
Regular: $295 (while seats last)
Pay It Forward: $325 (while seats last)

Note: The Pay-It-Forward price is an opportunity to take this class and support your fellow poets while you're at it. The extra monies support scholarships as well as future free and low-cost classes.

Dates: October 7-November 3
Format: Online Workshop (asynchronous, more info) with optional weekly Zoom meet-up

Prose poems—those brash rule breakers—have been around since the 1800s. Aloysius Bertrand introduced the prose poem into French literature in 1842, influencing Charles Baudelaire, Arthur Rimbaud, and other French poets. Over the past 182 years, the prose poem has steadily gained acceptance and popularity. What constitutes a prose poem? What are the potential risks and rewards of this hybrid form? What tricks can you use to make your prose poems dazzle?

In this four-week generative workshop, we will read examples of prose poems by old and new practitioners of the form, including Russell Edson, Francis Ponge, Gertrude Stein, Joy Harjo, Harryette Mullen, Jericho Brown, and Anne Carson. Following models provided in each lesson, we’ll use a series of prompts to write and revise our own prose poems.

Payment Options

Early Bird: $275 (through September 16)
Regular: $295 (while seats last)
Pay It Forward: $325 (while seats last)

Note: The Pay-It-Forward price is an opportunity to take this class and support your fellow poets while you're at it. The extra monies support scholarships as well as future free and low-cost classes.

 

Teaching Artist

jop.jpg

Jo Pitkin

Jo Pitkin is a native of the Hudson Valley. She earned a BA in Creative Writing and Literature from Kirkland College—one of the first undergraduate creative writing degrees in the United States—and an MFA in Poetry from the Writers’ Workshop at the University of Iowa. She is the author of a chapbook, The Measure (Finishing Line Press, 2007), and four full-length books—Cradle of the American Circus: Poems from Somers, New York (The History Press, 2012); Commonplace Invasions (Salmon Poetry, 2014); Rendering (Salmon Poetry, 2017); and Village: Recession (Salmon Poetry, 2020). She is also the editor of the anthology Lost Orchard: Prose and Poetry from the Kirkland College Community (SUNY Press, 2014).

 
 
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